Archive for the ‘Artists’ Category
Landscapes without memory
Fontcuberta, Joan. Landscapes without Memory (New York: Aperture Foundation, 2005) 4-7 Batchen, Geoffrey. ’Photography by the Numbers’ Landscapes without Memory (New York: Aperture Foundation, 2005) 9-13 p.9 [referring to Joan Fontcuberta new landscape images and the first pictures sent from the surface of Titan, Saturn's largest moon] Worlds apart, the two pictures nevertheless share a common conceptual infrastructure. [...]
Filed under: Ambiguity and Photography, Analogue - Digital, Anonymity/Authorship & Photography, Banality & Photographs, Essays, Geoffrey Batchen, Images and reality, Indexicality & Photography, Joan Fontcuberta, Photography and Place, Photography's Art History, Post-photography Theories, Review essay, Vernacular Photography | Leave a Comment
Back to the Future
Photographer Irina Werning meticulously recreates family and vernacular photographs with the original subjects, years older. Fascinating, on many levels. It would be interesting to know how the participants felt during the reconstruction… All Photographs © Irina Werning. Click to see the full size images. All Photographs © Irina Werning http://irinawerning.com/
Filed under: (re)constructing photographs, Irina Werning, using found photography | Leave a Comment
Joachim Schmid – Interview
In this interview with Joachim Schmid by Lens Culture, he suggests that he remembers events and places he has travelled, through the photographs he finds in those places. The project has a personal level as well [...] its also my personal diary, I usually travel without a camera… so I don’t take any travel snapshots. When [...]
Filed under: Found photographs, Joachim Schmid, Lens Culture, Memory & Photography, Personal Responses to Images, Photograph as object, using found photography, Vernacular Photography | 2 Comments
in almost every picture #9
in almost every picture #9 is the latest addition to the long running series of found photography. This time around, we are presented with the peculiar story of one family’s attempts to photograph its black dog. “Attempts” being the operative word. Unfortunately, their camera’s limitations mean that the canine appears, time after time, as only [...]
Filed under: Banality & Photographs, Erik Kessels, Found photographs, using found photography, Vernacular Photography | Leave a Comment
www.collectedvisions.net
C o l l e c t e d V i s i o n s was conceived by Lorie Novak and created in collaboration with Clilly Castiglia, Betsey Kershaw, and Kerry O’Neill. Launched in May 1996, Collected Visions is a participatory website that explores the relationship between family photographs and memory. The most significant [...]
Filed under: Collaborative projects, Familial relations & Photography, Family album, Lorie Novak, Narrative & Photography, using found photography, Web based projects | Leave a Comment
Anne Hardy
Text from http://www.saatchi-gallery.co.uk/artists/anne_hardy.htm Strange, fantastical, and a wee bit unsettling, Anne Hardy’s photographs invite glimpses into imaginary places, each suggesting fictions of a very surreal nature. Working in her studio, Hardy builds each of her sets entirely from scratch; a labour intensive process of constructing a barren room, then developing its elaborate interior down to [...]
Filed under: Ambiguity and Photography, Anne Hardy, Installation, Memory & Context, Memory Objects, The Collection | Leave a Comment
Arnaud Maggs – installations
Filed under: alternative photographic techniques, Archive & Photography, Arnaud Magg, Installation, Martha Langford, Materiality, Memory Objects, Photograph as Document, Photograph as object, The Archive, The Collection, Working with the archive | 1 Comment
Lorie Novak: Interiors
Empty rooms are filled with “projections” replaying psychological and emotional events. http://lorienovak.com/
Filed under: Familial relations & Photography, Family album, Identification & Photography, Installation, Lorie Novak, Memory & Context, Memory & Photography, using projection, Vernacular Photography | Leave a Comment
June Clark
Amazing work using and manipulating found photographs. “June was born and brought up in Harlem, New York City. She emigrated to Canada in 1968, became a Canadian citizen and currently lives and works in Toronto.” Date made: 1989 Materials: photo etching (with text) Text reads: Grandma said, “when you pick your husband, think of what [...]
Filed under: (re)constructing photographs, Ambiguity and Photography, Familial relations & Photography, Identification & Photography, Installation, June Clark, Memory & Photography, Memory Objects, Narrative & Photography, Personal Responses to Images, using found photography, Vernacular Photography | Leave a Comment
Nicky Bird interviews
Interviews with Nicky Bird about her Hidden Place series: Nicky Bird Interview Part 1 Nicky Bird Interview Part 2
Filed under: Nicky Bird, Photography and Place, using found photography, Videos, Web links | Closed
Julian Walker
From his website: http://walkerjulian.tripod.com/id34.html Most of my work is site-specific; where it is not, it is strongly referencing an idea or set of ideas. In this sense it is reactive, exploring how I can understand specific bits of the world, or exploring how other people have done so. Hence my interest in museums, collections and [...]
Filed under: Installation, Julian Walker, Materiality, Memory Objects, The Archive, The Collection, Touch/Tactile Perception, Working with the archive | Closed
Claudia Angelmaier
From http://www.claudiaangelmaier.de/index.php The play with the images of art and their history is at the heart of Claudia Angelmaier’s work whereby particular focus lies on the pictures and their mechanical reproduction, material image and contextual situation. The protagonists of Angelmaier’s large-scale photographic works are books, postcards or transparencies and slides which show copies of “the [...]
Filed under: (re)constructing photographs, Archive & Photography, Claudia Angelmaier, Materiality, Mechanical Reproduction, Nostalgia for analogue photography, Photograph as object, Photography's Art History, The Archive, The Collection, Touch/Tactile Perception, using found photography, Vernacular Photography | Leave a Comment
Mohini Chandra – Album Pacifica
One of my favourite works. It tells us more about photography than seeing ‘the photograph’ ever could. Buy the book here: http://www.cornerhouse.org/books/info.aspx?ID=745&page=0 I have scanned the images myself so hopefully this won’t have any copyright issues – but I want more people to be able to see this work!
Filed under: Content vs Materiality of Photographs, Familial relations & Photography, Family album, Installation, Materiality, Memory & Photography, Mohini Chandra, Narrative & Photography, Observer & the Photograph, Photograph as object, using found photography, Vernacular Photography | Leave a Comment
Mari Mahr
Mari Mahr rephotographs images and objects into subtle constructions of memory and narrative. Her book: http://books.google.com/books?id=cQ50QgAACAAJ&dq=inauthor:Mari+inauthor:Mahr
Filed under: (re)constructing photographs, Mari Mahr, Memory & Photography, Narrative & Photography, using found photography | Leave a Comment
Labyrinth (My Mother’s Album) is a large-scale installation consisting of a series of narrow corridors leading in a maze-like double spiral. The viewer enters the installation through a door and is lead through progressively shorter corridors at right angles until he or she enters a small space in the centre of the labyrinth. This room, [...]
Filed under: Archive & Photography, Family album, Ilya Kabakov, Installation, Memory & Context, Memory & Photography, Memory Objects, Narrative & Photography, using found photography | 2 Comments
Verso
Work by Meggan Gould, typologies showing the reverse side of photographs. http://meggould.netfirms.com/site_seeingVII.htm#
Filed under: Meggan Gould, using found photography | Leave a Comment
Tacita Dean: Floh
Images and text taken from this site: http://www.shanelavalette.com/journal/2007/09/03/tacita-dean-floh/ “Although much has been written about the demise of analog photography, no one has explored this subtle shift as elegantly as Tacita Dean,” writes Adam Bell on his blog. In her monograph, FLOH (2001), Dean delicately arranges photographs that she has discovered at flea markets across Europe [...]
Filed under: Analogue - Digital, Tacita Dean, using found photography, Vernacular Photography | Leave a Comment
Tacita Dean: Kodak
See film here: http://www.ubuweb.com/film/dean_kodak.html Kodak 2006 Single screen projection, 16mm colour film with audio track duration: 44min installation Tacita Dean and digital: Having worked with film as her principal medium since the early 1990s, Dean feels passionately about the end of analogue film production as for her, the digital technology which is supplanting it: just [...]
Filed under: alternative photographic techniques, Analogue - Digital, Nostalgia for analogue photography, Tacita Dean | Leave a Comment
Tacita Dean
Articles: http://www.bombsite.com/issues/95/articles/2801 Exhibition Reviews: http://www.briansholis.com/exhibition-review-tacita-dean/
Filed under: alternative photographic techniques, Tacita Dean, using found photography | Leave a Comment
Gene Laughter
“Nags Head on the Outer Banks of North Carolina was a quaint seaside village when I shot this image. Old weathered houses dotted the shoreline and dunes. They had made it through many nor’easters and hurricanes. There was usually a rocking chair or two on the porch and windows were left open so the sea [...]
Filed under: alternative photographic techniques, Gene Laughter | Leave a Comment
Ellen Susan: Soldier Portraits
The Soldier Portraits Project is a work in progress. The project consists of portrait photographs of soldiers of the United States Army, primarily of the 3rd Infantry Division. Until recently, the focus has been on the 3rd Infantry Division for its particularly active role in present day military events. The project is now open to [...]
Filed under: alternative photographic techniques, Ellen Susan | Leave a Comment
Harry Nankin
Website with info: http://www.diannetanzergallery.net.au/artist.php?name=Harry%20Nankin Articles: http://www.theage.com.au/articles/2004/11/12/1100227560250.html?from=storyrhssites http://www.abc.net.au/rn/arts/sunmorn/stories/s1118828.htm
Filed under: alternative photographic techniques, Harry Nankin | Leave a Comment
Hellena Cleary
Hellena thinks of herself as a disciple and pupil of Peter Fredrick, the inventor of the Temperaprint process. She retired from a life of commercial photography and was lucky enough to be able to pursue an interest in alternative photography and had the time to explore the various ways of how alternative photography can [...]
Filed under: alternative photographic techniques, Hellena Cleary | Leave a Comment
Hamish Stewart
Hamish Stewart has been making photographs since the early 1980s. He began researching 19th century photographic processes during graduate studies in the mid 1980s. Although he experimented with a variety of historical photo-processes he chose to concentrate on gum bichromate. It offered a means to explore colour, but also provided a printmaking aesthetic most removed [...]
Filed under: alternative photographic techniques, Hamish Stewart | Leave a Comment
Geoff Chaplin
Discontented with the trend towards digital imaging and infinitely repeatable ‘perfection’ he began seeking an alternative printing process – something which had a character and life of its own, and something which preferably was not repeatable. “Gum printing” turned out to be the process he was seeking. Dating from the very early days of photography [...]
Filed under: alternative photographic techniques, Geoff Chaplin | Leave a Comment
Deep in the Archive
Ulrich Baer ‘Deep in the Archive’, Aperture, 193 (Winter 2008), 54–59 p.54 ‘In the silence of the archive, researchers try and grasp the texture of lives from the remains left here, on this sheet, in this box, on this clean table, and now for their eyes only.’ ‘By definition, archives always collect a bit too [...]
Filed under: Aperture, Archive & Photography, Christian Boltanski, Essays, Ilán Lieberman, Melancholy/Death & Photography, Ulrich Baer, Zoe Leonard | Leave a Comment
Jane Hammond
Painter who has turned to constructing her images from found photographs. The images are collaged digitally, but then Hammond produces a negative and prints the photographs traditionally in a darkroom.
Filed under: (re)constructing photographs, Jane Hammond, using found photography, Vernacular Photography | Leave a Comment
{rowan lear} findings- “Lots of barbed wire entanglements” : tiny portrait of young woman
- Children playing cricket
- Squinting boy holding dog with lead
- Woman standing in kitchen, hiding behind wooden boardImage © Craigmillar Archives Trust
- Two girls and two boys, standing beside field of cowsImage © Craigmillar Archives Trust
- Woman in dress standing by building at end of driveway
- Two prints of portrait of boy with shirt and jacket
- Young girl with hat and doll sitting on chair in garden
- Landscape with tree nursery/orchard
- Man playing on ship deck under lifeboat with woman reading
- Two (twin?) boys in matching clothes standing in field
- Young man with hat and pipe standing against corrugated metal wall
- Island from sea
- Man with hat on donkey
- People standing in archway
- Man, woman and two boys paddling in water
- Two men on side street with steps
- Two women standing with twin boys and carrying girl
- Man and three women sitting on grass under trees
- Village, trees and valley
- {writings}
- Shilpa Gupta: Someone Else 22 April 2012
- TANT 4 March 2012
- Let us tell the stories of the dead 21 January 2012
- This is a photograph 10 October 2011
- My brother’s photograph 22 April 2010
- Not my mother’s album 2 February 2010
