Archive for the ‘Photography and Positivism’ Category
Introduction
p.1 Landscape is a social product; particular landscapes tell us something about cultural histories and attitudes. landscape results from human intervention to shape or transform natural phenomena, of which we are simultaneously a part. p.3 The act of naming is an act of taming. From its inception photography has been involved in investigating and detailing [...]
Filed under: Books, Introduction, Liz Wells, Photograph as Document, Photography and Place, Photography and Positivism | Leave a Comment
Schwartz, Joan M; Ryan, James R. ‘Photography and the Geographical Imagination’ Picturing Place: Photography and the Geographical Imagination ed. by Joan M. Schwartz and James R. Ryan (London: I.B.Taurus, 2003) 1-18 p.1 More than one hundred and fifty years later – despite ongoing and unresolved debates over the status of photography as a fine art and over [...]
Filed under: Anonymity/Authorship & Photography, Content vs Materiality of Photographs, Distribution (etc) of Photographs, Edited Books, Images and reality, Introduction, Invention of photography, James R Ryan, Joan M Schwartz, Photograph as Document, Photography and Place, Photography and Positivism, Photography's Art History, Photography's Materiality, Politics & Photography, Space and photography, Vernacular Photography | Leave a Comment
Will Image Move Us Still?
“Will Image Move Us Still” by Kevin Robins, pp.29-50. The Photographic Image in Digital Culture, edited by Martin Lister, London, Routledge, 1995. p.30 The fact that technological development is seen as some kind of transcendent and autonomous force – rather than what it really is, that is to say embedded in a whole array of [...]
Filed under: Analogue - Digital, Content vs Materiality of Photographs, Identification & Photography, Kevin Robins, Melancholy/Death & Photography, Observer & the Photograph, Personal Responses to Images, Photography and Positivism, Photography's Art History, Post-photography Theories | Leave a Comment
Photographs as Objects
‘Photographs as Objects’ Elizabeth Edwards and Janice Hart in Photographs Objects Histories: On the Materiality of Images, edited by Elizabeth Edwards and Janice Hart, Routledge, London, 2004. 1-15 p.1 [Edwards and Hart note that in Camera Lucida what Barthes] describes first is not the image of two children but a material object. It is a [...]
Filed under: Content vs Materiality of Photographs, Elizabeth Edwards and Janice Hart, Essays, Introduction, Observer & the Photograph, Photograph as object, Photography and Positivism, Photography's Art History, Photography's Materiality | Closed
{rowan lear} findings- “Lots of barbed wire entanglements” : tiny portrait of young woman
- Children playing cricket
- Squinting boy holding dog with lead
- Woman standing in kitchen, hiding behind wooden boardImage © Craigmillar Archives Trust
- Two girls and two boys, standing beside field of cowsImage © Craigmillar Archives Trust
- Woman in dress standing by building at end of driveway
- Two prints of portrait of boy with shirt and jacket
- Young girl with hat and doll sitting on chair in garden
- Landscape with tree nursery/orchard
- Man playing on ship deck under lifeboat with woman reading
- Two (twin?) boys in matching clothes standing in field
- Young man with hat and pipe standing against corrugated metal wall
- Island from sea
- Man with hat on donkey
- People standing in archway
- Man, woman and two boys paddling in water
- Two men on side street with steps
- Two women standing with twin boys and carrying girl
- Man and three women sitting on grass under trees
- Village, trees and valley
- {writings}
- Shilpa Gupta: Someone Else 22 April 2012
- TANT 4 March 2012
- Let us tell the stories of the dead 21 January 2012
- This is a photograph 10 October 2011
- My brother’s photograph 22 April 2010
- Not my mother’s album 2 February 2010
