Archive for the ‘Photography and Unconscious’ Category
Words of Light: Theses on the Photography of History 221-244 in Petro, Patrice. ed., Fugitive images, from photography to video (Bloomington: Indiana University Press, 1996) p.221 [...] Benjamin persistently conceives of history in the language of photography, as though he wished to offer us a series of snapshots of his latest reflections on history. What [...]
Filed under: Eduardo Cadava, Melancholy/Death & Photography, Memory & Photography, Photography and Unconscious, Walter Benjamin | Leave a Comment
A Short History of Photography
Benjamin, Walter., ‘A Short History of Photography’ One-Way Street (London: Verso, 1979; 1997) 240–257 p.243 Immerse yourself in such a picture long enough and you will recognise how alive the contradictions are, here too: the most precise technology can give its productsa magical value, such as a painted picture can never again have for us. [...]
Filed under: Photography and Unconscious, Photography's Art History, Studium/Punctum, Vernacular Photography, Walter Benjamin | Leave a Comment
“Photographic Anamnesia: The Past in the Present” Mette Sandbye in Symbolic Imprints: Essays on Photography and Visual Culture, edited by Lars Kiel Bertelson, Rune Gade, and Mette Sandbye, Aaphus University, Oxford, 1999. p.181 [Sandbye disagrees with Sontag's view that 'To possess the world in the form of images is, precisely, to re-experience the unreality and remoteness [...]
Filed under: Christian Boltanski, Essays, Identification & Photography, Memory & Photography, Mette Sandbye, Observer & the Photograph, Photography and Unconscious, Photography as Historical Witness, Postmodernism and Memory, Shimon Attie, Studium/Punctum | Closed