Archive for the ‘Susan Sontag’ Category
In Plato’s Cave
Sontag, Susan. ‘In Plato’s Cave’ On Photography (London: Penguin Books, 1979) 3-24 p.3 In teaching us a new visual code, photographs alter and enlarge our notions of what is worth looking at and what we have a right to observe. They are a grammar and, even more importantly, an ethics of seeing. Finally the most grandiose […]
Filed under: "We live to be photographed", Ambiguity and Photography, Books, Content vs Materiality of Photographs, Context and photography, Essays, Images and reality, Mechanical Reproduction, Melancholy/Death & Photography, Nostalgia for analogue photography, Photograph as Document, Photograph as object, Photography as Historical Witness, Susan Sontag | Leave a Comment
Zuromskis, Catherine. ‘On snapshot photography: Rethinking photographic power in public and private spheres’ Photography: Theoretical Snapshots (Oxon: Routledge, 2009) p.49-62 p.49 [discusses Sontag’s essay ‘Regarding the torture of others…’ As more and more photographs are taken and consumed, Sontag argues, the world is atomized into a series of disconnected images and anecdotes. The article, in my […]
Filed under: Catherine Zuromskis, Photograph as Document, Susan Sontag, Vernacular Photography, War & Photography | 1 Comment
The Image-World
Sontag, Susan. ‘The Image-World’ On Photography (London: Penguin Books, 1979) p.153 [On the contrary,] the new age of unbelief strengthened the allegiance to images. The credence that could no longer be given to realities understood in the form of images was now given to realities understood to be images, illusions. [In the preface to the […]
Filed under: Images and reality, Susan Sontag | Leave a Comment