Archive for the ‘Community/Participatory Photographic Practices’ Category

Bishop, Claire. “The Social Turn: Collaboration and Its Discontents” in Artificial Hells: Participatory Art and the Politics of Spectatorship (London: Verso, 2012) pp. 11-40 p.11 [on Debord] Given the market’s near total saturation of our image repertoire, so the argument goes, artistic practice can no longer revolve around the construction of objects to be consumed by […]


Bezencenet, Stevie., Bresheeth, Haim. ‘Photographic Archives’ Photographic Practices: Towards a different image ed. by Stevie Bezencenet and Philip Corrigan (London: Comedia, 1986) 61-64 p.61 The problem is that this multiplicity of imagery [found in private and public archives] is often not accorded any significance and consequently not ‘mapped’. Such a process involves an attitude, before […]



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